Hiroshi Sunari is giving trees to friends and artists who can engage a dream. About LEUR L'EXISTENCE * Tree Project , he says, The trees that still live from the time of the atomic bombing in Hiroshima are called, Hibaku trees (A-bombed trees). In 2009, tree doctor Riki Horiguchi gave me about 250-500 seeds of Round Leaf Holly, Persimmon, Chinaberry, Firmiana simplex, Japanese Hackberry, Jujube—trees that are the second or third generation of Hibaku Trees. I am going to give these seeds to people who are interested in planting them. These seedlings will be exhibited at The Horticultural Society of New York in Dec 2009. I'm amazed and comforted by Hiroshi's project. The idea is inspiring, literally, breath-giving. The spirit and the invitation are gently engaging, compelling, activating. The photographs are quiet, transparent, and honest. When I say that photography is a conversation, a way of knowing, a way of paying attention, I'm talking about Hiroshi's project. ...
Time to begin again. The moment won't remain but I'm marking it to be remembered later. It's too ephemeral to hold, but the experience is real and now. Classes have begun and I'm thrilled to meet up with so many dreams and enthusiasms. I blathered on and on this week about paying attention to pictures in your life, about how we know what we know, about writing, about drawing, about computers...and there's more of all that to come. The most important part, however, is just doing something. Do it -- take pictures. Please believe me, you can't see it til you start. Maybe it's better to not think about it too much...just pick up the camera and take a walk. You're going to uncover something if you just get started. After class a student asked if anything was off-limits as far as semester projects are concerned. I said no, not at all. She said, anything? I said, pausing now, well...as long as it doesn't get me fired or put in jail. She said, okay. Should ...
Walking in the winter with Diana and Brendan; I'm not going to not see the Callahan trees surrounding me. Automatic. Can't help it. I know it's cliche. Sorry about that. But there's history here too. The contrast, the sequence, the rhythm, the simplicity. Those Callahan pictures from the 1950s resonate for me; they come to back to me from my earliest thoughts of pictures and photography. Do an image google if you're not sure what I'm talking about. And do you remember the conversation that's in the background, especially of the series of weeds in snow? The story as I recall it is around Callahan's introduction to photography at a workshop in Detroit by Ansel Adams. Apparently there was a long discussion about how to expose properly for snow — how to keep the detail in the negative but not underexpose, how to compensate in the developing, how to print it just down enough to make it feel bright but not too bright. Even if you've never done ...
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